C-RAP

The nigger isn't even original enough for that, it's a sample from Daft Punk.

Satyr wrote:

Perhaps there will come a day when the principle of 'what goes up must come down' will be touted as the deepest, most occult, kind of ancient wisdom.

We're past that point already

This is funny.
He even mentions 'eternal return', so we know he's read Nietzsche.
But eternal return is not Nietzsche's idea.....no more than 'Will to...' is his.
Eternal return is part of pagan spirituality, and more so Hinduism.
Nietzsche used it as a psychological test about living life to its fullest, so the idea of repeating the same life would not be distressing. It was used as a test of your life choices.  
Now, imagine what a 'genius' he appears to be in comparison to the average Negro from the hood.
His narcissism is rooted on this...and he admits to being bi-polar. He also admits to an interracial sexual fetish, black on white, in another interview...but let's leave that aside, because psychoanalysing this primate will waste too much time for nothing.
Surrounded with Negroes with an average IQ of 85, and sycophants because of his pop-culture wealth, can make one feel larger than life.
At some point someone told him about Nietzsche, or he read some himself, and has incorporated it into his cRap.
His 'love of Trump' can be explained as himself seeing Trump as a white version of himself, which is in line with his narcissism. One narcissist admiring another.

He also has a Messiah Complex, which is not strange for such a type raised in Nihilistic post-modern systems.
He wants to 'save the world', so to save the world you must first judge that it needs saving, and then judge yourself as being capable of saving it.
He also talks about 'love' so we know he's deeply Abrahamic.
The Messianic Complex is a bit self-contradiction, which coincides with his bipolar psychosis.
He feels superior to the world he then wants to protect, and save; raise it up to his level. But to believe the world deserves ro needs saving, protecting, means you project yourself into the place of those you then feel superior to.
So, the narcissist hides himself in the arrogance, unloading the insecurity, feebleness, deep rooted inferiority complex on the other, who then deserves his saving.

A truly superior spirit would be as likely to step in and save a suffering inferior spirit, as he would be to step aside, indifferent to its suffering.
We don't feel ashamed or have nightmares when we think about the hundreds of bugs we've killed in the course of our life, just by walking around....but we cannot forget a suffering dog, or cat....or anything that reminds us of ourselves. Our sympathy is strongest when there's similarity, and it grows fainter the more alien, different the other is.
Sympathy is about seeing ourselves in other.
The Messiah identifies with those he wants to lead to salvation....he may believe he is superior to them, because he thinks he can save them, but that the only difference.
Even if he may deny it, or believe otherwise, his obsession with wanting to save mankind, or a specific segment, from the world, from reality, reveals how negatively he relates to the world. Before the messiah jumps to the conclusion that he can save them, he must first believe that the world is a negative state that must be escaped.
usually those who 'deserve' his salvation are those who 'believe' in what he believes....that the world is a negative place and that he knows a way out.
Right there we see the source of his narcissism. The liar, for example, both seeks out naive dolts to believe in his lies, but then loses respect for them because they fell for his lies.
We see the circularity....the narcissist believes he knows something the average dolt does not, and that he can save him/her....and if the dolts buy into his belief he loses respect for them and feels superior....god-like.
His psychosis saves him from a world he cannot understand nor cope with, which then becomes the secret he must transit to the ignorant, which then reaffirms his own superiority.
It's a self-referential circular self-feeding psychosis.

It's circularity is perplexing and may confuse...because it is intended to confuse.
So, let's use another example to clarify.
A lair lies to himself and to others, to cope with a world he feels insecure, vulnerable within. He needs the other to affirm his lie so that his own belief in it strengthens.
But he intuitively knows he's lying and so he loses respect for anyone who does belief in his lies, though he is positive and appreciates them because they affirm his coping mechanism. He both needs and disrespects those who support him in his lie.
This grows into a sense of superiority. The others are then perceived as weaker than himself, who originally constructed the lie because he felt weak. Now the lie becomes a source of pride and strength, and he looks down on those who buy into the lie that helps him cope.
He hates himself through their love for him.
He loses himself in them, forgetting his own vulnerability, so he does find salvation. But he can't teach it without losing his flock...so he places it in the obscure, in the occult, the esoteric.
Kanye is exploiting stupidity, but then obfuscates with mind-farting, or dropping concepts like 'eternal return' and 'what does not kill you makes you stronger', insinuating that it comes from a greater pool of wisdom....and not mentioning its origins, letting it be implied that the insight is his own...like his fArt he samples ideas, synthesizes them, changing some words around, and repackages it with his own style.

I made it through 9 minutes. I couldn't stomach the rest of his babbling retardation.

The real funny thing is, this deranged nigger should be sitting where Trump is. He is the spirit of Americanism in its raw essence. Self-serving, ill-mannered, infantile, barbaric, mindless, solipsistic, avaricious and flamboyantly needy and obnoxious. An animal would have sense enough to behave with more clarity.

I hope he runs for president and wins. It will be the logical testament to American degradation and its final victory for its destiny. Like Bane in the Batman series acting as the conduit for the final event of its decent into sickness and death.

Indeed....an epiphany of American degeneracy.
When Rome declined towards its end, barbarians ascended to the coveted position of Caesar.
When the decline resulted in total degeneration, it fragmented into the Holy Roman Empire and Byzantium, both claiming to be the 'true heirs' of Rome, the embodiment of its essence, when both were an antithesis to it by being Christian - infected by the virus, making it vulnerable to parasitism.
The US is also claiming this inheritance. But whatever potential it had is now long gone. The parasite is eating it alive, from the inside out - from the esoteric towards the exoteric. The disease is now emerging in appearance, it is becoming apparent.

He even says it.
Negroes have a problem with the 'again'....Make America Great AGAIN......and he wants to change it to 'make America Great'.....because it isn't.
'Great' means the usual post-modern multicultural idea(l) - the meting pot merging into a soup of uniformity - all pasts merging, diluting into a nondescript liquidity.
Negro has lost his heritage, such as it was, has lost its family cohesion, so now it seeks to escape by integrating, by merging with what it admires and cannot be. This is why they love European females. They've learned, or been infected, or are being used by a parasite who also merges with the host it exploits and uses as a proxy.
The close relationship between Negroes and the Parasite go way back, and it is what produced the Negro movements to emancipate himself from European control. Reproducing out of its genetic lines.....acquiring the outer appearance but maintaining the inner memetic identity, is part of its parasitic methodology. It is passing it on, for its own welfare, to the Negro, urging black men to reproduce with white women. The targets are European males.
Nihilism is pure ideology, so it does not care for genetics....genetics hinder its 'pure' synthesis, its ideological divinity. Genetics are to be diluted because only the idea(l) identifies.
This is pure Abrahamism. The virus does not care for the welfare of the host it infects...it uses it as a means to propagate itself. The parasite only cares for its own genetics, as a symbiont that is willing to sacrifice its genetics to preserve its symbiosis.
Abraham was going to slaughter his only begotten son....a symbolic way of expressing this sacrifice.

CNN the parasite's main propaganda instrument.



One narcissist taking advantage of the other, with the Negro on the inferior position of kissing-up to the Caucasian, quoting from Caucasian spirituality, trying to apply Caucasian, European, attitudes.
A classic cRapper, that is known for plagiarizing, they call ti 'sampling' and building a 'new' song around a 'riff' or a melody.
The parasite needs mediating proxies. It cannot survive outside a host. It cannot deal with the world without a proxy. So, the Negro was always a perfect proxy, because of how intellectually inferior and gullible they are.
Negroes are now the vehicle through which to degrade, degenerate the host.

The US dealt with the real threat during its Civil War....what came after was, and still is, part of the same virus, offering two versions of itself....good-cop, bad cop.
Degeneration won, mainly because quantity drowns quality in enclosed environments. Uncontrolled reproduction, leads to degeneration of the herd...the elimination of predation, of culling, does not strengthen the herd, it condemns it to a slow decay, and its environment to a imbalance nature will balance in a 'reality check' moment.
You can't deny or fight nature.....she will always win. It's only a matter of time.  
The Greeks knew this....and their gods reflected this.

cRap, returning this to the thread's topic, has been promoted as a way of degrading European culture.
Having been 'trained' directed, by the parasite, it 'samples' from the target it wants to degenerate. So it degenerates European music by selectively sampling and then adding the diseased cRap within it. It takes a beautiful melody, or a song with complex lyrics, and degenerates it to primal infantile posturing.
Kanye, also samples.....intellectually, and then sells it to his fellow Negroes as his 'genius'.  
Kanye reads, but he doesn't read from the degenerate manual, but samples from the healthy European handbook and repackages.
Negro narcissist uses European cultural genius to stand apart from his fellow Negroes, sampling Nietzsche and European art....and the Caucasian narcissist uses the Negro to promote himself, and be re-elected.

A European male's response to Kanye's 'love' rhetoric,a s he gushes at Trump, his albino alter-ego.

Romantic love is what pop-music is all about....cRap simply focuses on the primitive root of lust...obsessing over it, song after song.

This is how ridiculous cRap is.
a play on word-associations, cultural metaphors, allusions, metaphors, allegories....all insulting the other, and 'looking good' by comparison, or straight out flattering yourself...
Look how impressed the Negroes are.
The effect is measured by sales, popularity.

Here are some more 'reactions' by Negroes to this new conflict between Machine Gun Kelly and Eminem
Just to show at what level the US has fallen to.  




Keepin' it real.
Eminem's replies...



It's verbal one-upmanship...infantile primate behaviour, with a primitive back-beat..
It's so fucking funny.
Chimpanzee faeces flinging...only here we have two infected 'whites' imitating, and outperforming their Negro counterparts.
Gossip, pronouncements, 'look at me', I sell more, I am more popular...feminine girly shit...all words and words....cRAPPIN'.
Watch how they react to metaphorical 'dissin'.

Watch how these imbeciles react to double entedre's, metaphors and pop-references with allusions. It's blows their ape minds.
When language is something new to your mind, it hold magical powers....its manipulations is something genius.

This is what Europeans and European culture is being reduced to!

Think about what it says about Negroes when a European enters the stage, adopts their, supposed, art and beats them with superior cRapping, but more importantly more intricate metaphors and allegories and double entedre's....and they're still stuck in shorties, and bling, and look how rich I am, and how crap you are....simple chimpanzees hooting and hollering, in comparison.
cRap is the eprfect 'fArt for Nihilsim....all noetic abstractions, and mountains of words, only validating themselves by the effect they have on simpleton minds.
fArt based on words, and the Negroes fuck it up, or can't go over a certain level of linguistics, because they don't have the DNA for it.
Only Kanye can pretend he's 'genius' by sampling melodies from different genres, and makes it more political and not about typical Negro crap....and he calls this innovative and 'genius'.
We saw him in the Oval Office.
He's delusional bipolar imbecile, high on the fact that he can sell cRap, in music, fashion, or whatnot, to imbeciles lower than his mediocrity.
See in cRap its not about quality, but quantity. How many albums have you sold, how much money have you made, how many of the brain-dead herd have you exploited...then yuz ghangsta...yus legit.
Like teenager...'how many bitches have you banged?....how expensive are your pants?....how many friends do you have, how popular are you?....
Same infantile shit.
Dat's street-cred.
Have you seen these people that listen to that stuff.
I see them when they pass by in an expensive car, you know he can't afford, or he can because he is earning money in some illegitimate way...easy cum easy go...what did Chris rock say about Niggers and African Americans or about being wealthy and just being rich?
Have you seen them through the tint?
A moron is driving the car, vibrating as it goes by, because he's so desperate to be seen....he don't even have the old-school Italian wisdom to not be flashy when you're a criminal.
What's the old joke?
Yeah..."What do you call a nigger in an expensive car? A thief!"...but stereotypes are all wrong.
And you know he's got stupid cunts following him around, and stupider wannabe man-cunts, kissing the ground he walks on, ''cause they want what he has.

It's a bragging totem pole.
A pyramid scheme of pretentiousness.
The ones on the top are milking the ones below who want to be them....and its all fake and superficial, and founded on smoke and mirrors. It's all about manipulating and exploiting idiocy.
'Look how many morons I convinced to buy this pile of shit I blew out of my arse!!!'
He's probably not even involved in the 'creative' process of technologically building a beat with verb, and choosing a nice melody from another song, and writing the lyrics. They've got people for that. They want front-men who may contribute a rhyme...."Say what rhymes with I'm a dope?"..."Hope!"...."Soap".

Eminem cuts the words into syllables, and the Negroes never seen shit like that. He's got a vocabulary they can't match....half the words he uses they've never heard before. The way he can use one word to allude to two or three different things, blows their minds. Dey afraid of the white-...'boy"?....middle age whigger?
Did you hear Kanye parroting Nietzsche?
He didn't even have the decency to credit the source...'cause that's what they do. They take, they sample/plagiarize, and then pretend its their own, because they alter the words.
"Maybe if I call it 'willin' strength'...nobody will know"
But how could brain-dead Negroes and white-trash know anything about ideas written in books?
That's where Kanye has them'....dat Nigger's half-white arse, reads books. He don't understand dem...but they sound empowering.....powerful......profound.
They legitimize selfishness in a nation founded by puritans.   

So, you take a beat, you can speed it up, or slow it down, so nobody knows its stolen, sorry 'sampled', then you give it a reverberation...a real deep sonar base beat, to make the bones rattle....something apes can be affected by...and windows, and the cat.
You write some real 'hard' lyrics...but you have to 'keep it real' no fake posturing...you need to be stating 'facks....Negroes have pride...they know frontin when they hear it. Only 'facks' they can respect. 'Cause they keep it real....'real dumb', as Rock said.
A nice melody can make it all artsy...but if you want straight up gangsta you keep the beat crisp and loud. Nothing below 440 hz, until it hurts. Gangsta pain, in the membrane. Dissin and calling out the competition.....self-flattering to no end....'cause it ain't real until you say it is...wit facks.

Yeah...the States is fucked.

Only in a society where heritage has been replaced by victimhood to legitimize self, to identity and to ascend, can ex-slaves sell their fake mastery, because money can heal all genetic injustices.
Only when in decline is the lowest of the low held up as an icon to inspire the masses.
It happened in Rome when Jesus arrived. The lowest of the low became a 'leader', an inspiration, to follow...and be saved.
Saved from what?
From self?
From reality?
From truth?
Yes!!!....and all using words, because '1 In the beginning was the Word, and the Word was with God, and the Word was God.'.
It states it right at the beginning what it is doing.
'God' the word, shall save you from reality, (inter)activity...flux.

Erbody admires der skills. A victory well earned.
Dey keepin' it real wit facks, yo. Dees proud black wueemen be dope.


Dis is a debate diss....all facks.
Dey make some good points.
Damn, da boy is hard.
Breakin' down the cRap verse by verse, to appreciate da talent.

Wait...we need more white blood to get a better analysis of the richness of the verse.....Shakespeare would be jealous.....


No, no...no!!!
We need something more white to real;ly understand the depth fo the challenge, the artistry involved here...only white guys can truly appreciate verse....Wait, let me take out my notes, to keep-up.
Did shit be deep, yo.


I'm converted.

Why did I waste so much time on this cRAP?
Because its hilarious, and the beat is catchy. If you let the Dionysian out it takes hold on a visceral level.
It's the vibration imitating the heart-beat.
The anger accelerates the blood...and is part of post-modernism, from victims to all of us who have to endure this decline and not say a word....because we'll go to jail.

Commenting on the state of crap, crap has become...even more smelly than a plate of spaghetti....wait, hold on.
I'm not going to write a cRap verse.
I'm going to let the master do it....all that word-vomit.

Classic post-modern nihilism. words referring to words, referring to words....and on and on.
All esoteric...all deep inside...word-associated dis-membering.
Who can't appreciate all that innuendo?
Makes me wet.

Dey gets it...


Just think what it says about Negroes that a white middle aged man is out-cRapping them. Blowing their minds with his word-games.

I don't get drawn into rap music.
It has about the same appeal as an unattractive nagging/complaining woman, to me.
Hm...
It has about the same appeal as a nagging/complaining man.

There's nothing to get.
It's all self-referential posturing, using verbal innuendoes.
Eminem is the best at it....Negroes never heard shit this linguistically complex...that is with double meanings.
For them it's so 'out of their ability' that they are amazed by it.

Nothing more than that.
There's no deep meanings, or anything. It's all about me-me and you are inferior and I am superior, and look how much I sell and how popular i am...on and on and on and on...and on...

My interest in cRap is due to how art is a thermometer of a culture's health.
The canary in the mine.

cRap represents an increase in temperature, a feverish reaction to an infection...a virus has taken hold, and a parasite is exploiting it.
Hypermasculinty is evidence of feminization...a loss of masculine heritage.
Males were more than providers and protectors, they were living representation of a shared heritage....pater.
You see these young men-children, black and white, and what do they have in common?
No father figures. A mission representation...a disconnection from past.

All the abstraction of masculinity, the institution can offer, are icons, idols, papier mache replacements.
All they have is pop-culture...ergo all they do is posture using pop-culture references.
When they come in contact with something older, deeper, connecting to the past, like Kanye and Nietzsche, their minds are 'blown open'.
They don't get it, but only superficially, how it relates to them - selfishness. Because their perceptual-event-horizons are shallow.
They tap into their feminine side and feel the power their minds cannot fully understand. They sense it, converting it to hyper-masculine covering, because they have no real experience with manhood....so they exaggerate the unknown...inflate it to hide their femininity, their emasculation. Raised by poor single mothers...of the lowest genetic quality, with no father-figure, even if he too would be of poor genetic material.
The absence forces them to seek guidance in pop-culture and its representation of masculinity....its caricatures, representing its ideal masculine type, emasculated....or representing a monstrous caricature, as an example to be avoided, slandering masculinity so as to leave only one alternative.

Clearly displays in cRap. The façade of machismo underlies a submission to cultural ideals, and mythologies.
They display within the boundaries of institutionalization.

Think I'm gonna get into rap. I've always hated rap but I think I'll be one of the greatest rappers, the one who doesn't care about rap. The flawless freeflow and sheer lack of effort. Rap is about doing the bare minimum effort and not giving shits. Thus my rap will be geniune. I am also great at hate and complaining. Like my crap is gold yo.

If you can't beat em join em. If the world is going in flames I might as well dip my foot in the water and have a good time.

I go to do it but my feminine side feels shame and tells me not to. Like a magnetic force field stoppin me yo.

This is funny. I couldn't understand why they called Eminem 'goat'....thought it was coincidence...goat/satyr.

Now I know.
I'll integrate it into my response to whoever calls me 'old goat'.
It means Greatest Of All Time.  

Ha!!!

I'm no cRapper, using words to 'spit' lyrics...but I use words, in my own way, to diagnose a disease.
I'm a linguistic diagnostician.
I took Nieatzsche's diagnosis Nihilism, as he found it expressed in Christianity, and I traced the source back to the cause, and discovered the root virus and its many variants...and how it has been integrated into a symbiont.

Now that cRap has reached  its apex of bullshyte, and Caucasians are dominating what was supposed to be Negro posturing, declaring their 'freedom', all flash and empty meat-bags, we are now in mumble-cRap, and finally parody cRap.
When the parasite is exposed it begins laughing at its own bullshyte methods, to pretend it was all a joke.

Like when someone calls your moms a whore and when you stand up and about to beat his head in he pleads that it was 'all a big joke', and 'can't you take a joke, bra?'...'weez just havin' fun, bra....can't you have fun and laugh at yourself? Chill bra...it's all good...'.

Eminem exposed how ridiculous and pathetic Negroes were at their own cRap....their own 'urban art'.
They've been repeating the same cRap for decades...so now they're goin to milk whatever is left.

After...bling, bling and look at how much money I waste, just for show...a Jew appears to be frugal.
Keepin' it REAl!!!!
This cRap was a joke even when it was acting tough, and people were dying.

This is anti-cRap cRap....finally not taking itself seriously, because its target audience is retarded.

Now we're getting into some deep shit...Negroes never heard such profound cRap.
Dis guy smarter dan Eminem.

Eminem appears on the cRap scene exposing Negroes to the the simplicity and baseness of their own 'fArt'.
All they cRapped about is 'look at my my house, my car, how much pussy i fuck, how many friends i have, how much I sell, how much money I have' creating money posses, that became dangerous not because they spoke no truth or had any other quality, but because of the money they possessed. Like a chimpanzee holding a loaded gun.
Eminem reveals how simple they were at their own game, with his double entedres and faster cRapping, and articulation and word play.
Tupac was the last thing that came close, but all he did was social commentary trying to -raise his people' out of the crapper. The Malcom X of Crap. Even he did a minimal amount of it...and resorted to the same posturing and gangsta Crap that makes money....selling among the emasculated Hypermasculinity.
The ex-slave felt a masta...with masnions, expensive cars, entourages, maids....

Now we're in the age of mumble cRap. No need to articulate, or be understood, because the words don't matter....what they express is more of the same, using different samples melodies, but the same gorilla beats.
But, now, along comes a non-practicing, self-deprecating Jew with his tiny prick deflating hypermasculinty to hypomasculinity....going the other way.
What was inflated hot-air - flatulence - is burst, with a tiny little dicky, and the plastic rubber image, deflates, with a faaart-ing release.
da white-boy whiggers, who supported all that image and posturing, reveal the reality of being a boy in the west - keepin' it real. The image has now entered the fashion industry...where else can the naked king find clothes?

A quintessentially post-modern, nihilistic art-form, fArt-Form, is exposed by a Caucasian who can articulate the void of substance word-play better than any Negro, and along comes a Jew cRapper who exposes this fArt-Form as inflated hot air, essentially bursting its bubble.....and the established icons, the Dr.Dres and Snoop-dogs, working on behalf of their industry parasite bosses, are there to capitalize. Undermining their own fArt to make money....meaning while that dumb ass-Negroes have no clue what is going on.
they're spewing out mind-farting mumbling because there's still a market out there, plenty of imbeciles and retards with a few bucks, or money from parents, to sell the same stale, adolescent, superficial image to; plenty of young boys with no fathers, or none of any worth, looking to display their developing masculinity, and young girls discovering their femininity and looking for appreciation.

This is getting funny...and by funny I mean interesting in a kind of morbid, dark-humour kind of way.

Yo, the old pimmp' Sate, to the big Y, killing it with the R, S-A-T-Y-R, MOTHERFUCKER, S-A-T-Y-R, be getting grumpy and shieet'... jizz, u be hatinn' the new' niggas' cos' u ain' one, shieeet' nigga
This whole spectacle could have been easily prevented by a father with two working testicles and a good spanking... Shit genes, shit fathers...as you said...boys raised and driven crazy, being bullied by their mothers, seeing their fathers being dominated by the feminine in their household, not caring to introduce and maintain some objective and moral standard through a child can be judged and through which a young boy can evaluate himself fairly and feel himself be appreciated for his masculinity and watch his father represent it and draw inspiration and pride from it, hating their mothers, but at the same loving them for the motherly care they provide, wanting masculine, wanting to be masculine but lacking the genetic quality, the upbringing, the example...A man lives for his son, suffering, having to compromise, having to sacrifice his alpha-male bravado bullshit for the sake of the future of his son, loosing on the erotic value with which he could fetch more pussy etc., a father makes a sacrifice for his son...bleed for me I will bleed for you...the boys that hate females really hate them because they expect the female to be a father, they dont understand how it all works and what their creative function within the reproductive cycle is becuase they didnt grow up in a family in which the process was demonstrated to them
@edit: basically, a female or feminine will drive you crazy only if you are less feminine and still not masculine enough to dominate it from above or seperate yourself distinctly from it

In this evolution of cRap we see how a simple street-expression developed to a social message, and then descended to hedonism and materialism.
The ex-slave first expresses his discontent, then rebelliousness and finally is seduced by the very system he was discontent and rebelled against.
In the end hedonism reduces it to personal narratives and displays of ego, developing into narcissism.
From humility, to anger, and then a hyper-ego compensating for the entire journey.
From slave on the plantation to living in the amster's mansion, imitating his lifestyle, fucking his daughter...a tale of vengeance. He remains a slave who compares himself to what he could never become. Having been taken out of his natural environment, losing his heritage, he cannot retrace his journey back, and does not want to, given his habituation with the trappings he was enslaved by.
When wealth has reached a level of not imposing itself no those it dominates it does not have to coerce or incarcerate. the slave does so on his own, trapped in noetic prisons its 'mind' cannot escape because it does not even have a notion of an 'outside'.
It dedicates itself to rising up the hierarchy within the institutional walls, unable to see over them.

The core characteristic of a slave psyche is that it appropriates form the master his own liberty, and then does not even offer gratitude in return.
This is typical of scavengers and parasitical mentalities.
They can't hunt, they cannot harvest directly from reality, form the earth, so they have to scavenge an consume the left-overs from kills.

We see this in cRap.
ex-Salves 'sample' appropriate from their old master's art, and sell it as 'original', adding their own primitive contributions that reduces it down to a level they can relate to, a level they can consume, integrate into their bodies.
Same goes for minds
Gene to Meme.

A parasitical survival strategy does the same.
It cannot survive by directly engaging reality, so it exploits an organism that can, using it as a proxy, converting it to a mindless zombie.
It mask as being a part of the infected host, and then appropriates its processes, redirecting them corrupting them.

Ingratitude is a common theme, because gratitude would expose the method. Shamelessness, a lack of integrity is necessary.

This is contrary to the noble spirit, the hunter code - contrary to aristocracy of spirit.
The hunter is grateful to the other hunter, for his kill, and to the prey.
Generosity was part of the old rites.
Potlatch was a display of the hunter's generosity, he was, all he needed to harvest more resources, and did not need to hoard like the miserly parasite.

My new favourite cRap tune.



Blond white boys outperforming Negroes at their own cRAP....now that's funny.
No double, triple entedres, of this quality on any Negro cRAP.

Or is this cRAP my favourite?



Can't decide.
I just know Negroes been doing this shit for decades and they haven't reached this level of lyricism. All they got are fancy beats, electronically mastered.
Bet, if Dr. Dre produced this song it would be the best cRAP ever.

White supremacy is indeed evident even in rap:



Pure hatred and spite, nice song. Though my preference for Eminem's lines may be because I'm white like him so nigger-speak sounds alien to me.

Then there's this nigger who mocks wannabe gangsta niggers, pretty decent lyrics actually

Watch the Negro react to Greek cRap, with a political, social message, instead of me-me, pussy, bling-bling Negro cRap.

He calls the Greek alphabet 'hieroglyphics".
A whole oder lebel of stupid...

The original. Very Marxist revolutionary.
It is dominated by Marxist Theory....crypto-or-recovering Abrahamics tend to veer towards Communism as a logical secular version of what they are losing.
It's still dominated by Marxist perspectives....explaining the disaster to their economy despite being in one of the most wonderful places on earth.  



Modern Greeks are mostly Jewish in spirit, and Turks in attitude.
Very few true Greeks there. The spirit of their past greatness is still evident, underneath all the diseased crap.
Hellenic spirit still burns...embers under mountains of historical shit and Abrahamic filth.

Negroes and Wgiggers are goin' crazy over this cRap, on-line...



See, even the lowest of the low can go lower- It becomes the standard resisting its own degradation.
All is reducing lower and lower....until collapse breaks it all apart, and it all rewinds.

The lowest-common-denominator is like a mass, a singularity, pulling everything down, lower and lower.
When one level of mediocrity becomes normalized then what is beneath it becomes a new low to degrade towards.
This is what happens when fArt aims at selling to the average imbecile, marketing itself to mediocrity, only decreases the level of what is considered mediocre....and the process descends.  
Real Art ascend, challenging mediocrity to rise or stay behind....'cause it doesn't care about being popular to imbeciles and degenerates; because it doesn't evaluate itself by how popular it is. It's standard is world, not in the modern sense of 'humanity' but world in the Aryan sense, Cosmos - higher art, and not fArt, created by mediocre minds catering to to lower than mediocre minds.

Notice how cRap remains self-referential, developing from a me-me self-aggrandizing narcissism, all about hyper-masculine ego posturing, now becoming a battle with its own 'logic'.
As I've said, Nihilism must lie to itself. In this case the 'logic' of this nihilistic music-degradation, is awakening to itself and what happens if you push its own 'principles' to their logical end - the previous older style criticizing itself, through the new.
When Europeans entered the cRap industry they dominated, forcing Negroes to seek their 'welfare' bling-bling by reducing the cRap to a level they could compete in - by 'competing' they mean 'money'....in a Hebrew Messianic world-view the Messiah blesses you and approves of you, sending you salvation, in the form of money.  
cRap is about metaphors and creating word-association and clever verbal insinuations with multiple meanings....and Negroes simply do not have the genetic potentials to challenge other verbally superior races - they have minimal ability to construct double and triple entdres.
They sold well when all it was about straight-up posturing displaying, bragging...selling to the downtrodden and those who were looking for a reason to feel proud, and free.

The only way Negroes can make money with superior cRappers making them seem primitive, by comparison, is to target a more base audience - lowering their level to that of the minds they want to seduce and exploit.

cRap is a Negro’s version of an intellectual 'debate', put to music – because everything has to be put to a rhythm, with base spirits. Nothing complex, like a melody, but basic primal stuff, like a beat, imitating the heartbeat, and vibrating in a way that awakens sexual impulses of masculine competitiveness.
But 'points' are not scored by the quality of an argument, in relation to a shared reality, but by how the 'lyricist' can weave a rhyme that remains true to the beat, and can discredit or insult the opponent, making him lose 'street-cred, or reputation among his peers. The insults must be 'fax' [sic], or they must refer to real events and relationships - their version of remaining true to reality, or 'keepin' it real, i.e., honest.
Negroes performed this for decades with the usual posturing and provocative braggadocio, but along came European 'MC's with a superior intellect able to weave linguistic threads with double and triple meanings, sometimes performing linguistic surgery, cutting words in creative ways to preserve the rhyme and to remain true to the beat, and they did this with such verbal speed that no Negro could ever imitate it.
cRap was taken away from the Negro, who could now become a 'producer', collecting his 'cut' indirectly, or branching out into other industries, most often 'fashion' the natural place for shallow individuals who have spent a lifetime creating, maintaining and selling an image.
Popularity contests is what cRap is all about – what impact the cRapper rhyme has on the crowd, determines the 'winner'. Not the quality of the argument, the logic, but the effect, measured in quantities, primarily money.
cRap deteriorated. There was no 'gangsta' image to preserve when the participants come from middle-class affluent families, who have become 'rich', but not wealthy, selling an image to gullible, impressionable nit-wits.
cRap is declining to what is called 'mumble-rap' performed by mediocre Negroes, to even more gullible and impressionable imbeciles – a downward spiral – there's no 'victimhood' to sell to the 'hood' as a heroic act of transcendence. All that's left are the same jungle-beats, sampling different exotic melodies written by non-Negroes, being sold to predominately whiggers – European and Asian men-children, with no father-figures, to inspire them, and no culture of their own to find identify and pride within, coexisting within the 'Desert of the Real' Americana, i.e., culture-of-no-culture.