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 Modern Popular Culture Reviews and Latest Film News

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Satyr
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PostSubject: Re: Modern Popular Culture Reviews and Latest Film News Modern Popular Culture Reviews and Latest Film News - Page 7 EmptyThu Feb 20, 2020 8:00 pm

Will this prove to be another algorithm in the American Matrix being formed around us?
Gradually they are altering the past, by reinventing pop-culture - erasing all detrimental to the meme clues.....over time history will be entirely rewritten, piece by piece.

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PostSubject: Re: Modern Popular Culture Reviews and Latest Film News Modern Popular Culture Reviews and Latest Film News - Page 7 EmptySat Feb 22, 2020 11:28 am



The timeless convenience of Jesus was his resurrection, thus, the modern individual, can reinvent themselves over and over. None of it has to mean anything. Every paradox and contradiction can play out according to the model of looking to the future, never ever the past.
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PostSubject: Re: Modern Popular Culture Reviews and Latest Film News Modern Popular Culture Reviews and Latest Film News - Page 7 EmptySat Feb 22, 2020 11:36 am

Morpheus' "free your mind" lesson, implies more than people realized when they became enamored with this series. To free oneself from all values, meaning, rules, beliefs and eventually, the self. It was an exhortation to the elimination of one's past, and a surrender to chaos. The Matrix series is about a rejection of order, the Machines representing absolute order and continuum. A reversion and defense of the primal, carnal nature of man (the underground orgy dance scene) and an acceptance of a selfless fate. One with no mind, or beliefs, or order. A nihilistic freedom, acting as the "enlightened" state.
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PostSubject: Re: Modern Popular Culture Reviews and Latest Film News Modern Popular Culture Reviews and Latest Film News - Page 7 EmptyFri Apr 10, 2020 8:22 am



>Nihilism produces paradoxes due to its very nature as an idea/ideal that attempts to contradict the real which it survives within.
we see this clearly in such nihilistic dogmas, as Judaism which attains power by claiming powerlessness - victimhood becomes predatory - parasitical.
The U.S. as being founded on an Abrahamic narrative also displays this paradox - an empire based on rejecting the idea of empires - perpetual rebellion against what it is.
"Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!" is a biblical call to salvation - the meek shall inherit the earth - freedom from nature, the past; salvation through money, purchasing a new identity, leaving the past behind, no longer hindered by heritage, natural order, social hierarchies etc.
We see this Messianic spirit in America's constant claim to being a 'victim' of hatred and envy; Trump formulates it as the U.S. being exploited - a remarkable claim by an empire that was built no creating dependence on its dominion.
A victim of its own methods; victim of victimization. Empire founded no the denial of empire - duplicity; paradox of its own making seducing feebleness and desperation - the lost and tired and poor.
Peterson, - and others - in many ways, was a reaction to its own liberal identity dogma - a reality check forced upon Americans by reality itself. It created the insanity it then perceived an existential threat within.

>Good versus Evil, is Abrahamic to the core. Either/Or, binaries. A source of its power is that its simplicity can be comprehended by the mediocre spirit - it is primal.
Good/Bad.
There is no progress 'Beyond Good and Evil' there's a repackaging, a renaming - an updating of the same concepts to be resold to modern psychologies.  

>As I've said many times before, Nihilism is about inversions. In the Star Wars narrative the Dark/Light are inverted, where Light is named the 'dark force' and the dark is named the 'light force'.
Light = ideology/spirituality disconnecting mind from body; ideas/ideals detached from physical, tangible existence; detached and uninhibited by experienced reality and precedent.
Dark = nature, limiting, containing, natural order expressed as social hierarchies.

>The parasite-meme exploits individual insecurities their self-hatred and resentment of everything that made them as they are, selling them this self-hatred as a rebellion against the father, the source of their being; rebellion against their heritage and genetic inheritance - a seductive release/relief from their own body, their own past. But, of course, always a lie. The past/nature cannot be escaped nor redefined out of existence - its determinations are immutable and cannot be undone with reinterpretations or denial.

>The anti-father symbols are thick in the Star Wars narrative.
Father, for ancient Greeks and Indo-Europeans, was the one who passed on the genos (ΓΕΝΟΣ), the gene but also memetic identity, i.e., race and culture.


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PostSubject: Re: Modern Popular Culture Reviews and Latest Film News Modern Popular Culture Reviews and Latest Film News - Page 7 EmptyMon Apr 13, 2020 11:58 am


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PostSubject: Re: Modern Popular Culture Reviews and Latest Film News Modern Popular Culture Reviews and Latest Film News - Page 7 EmptySat Apr 25, 2020 6:34 pm



If the chosen masters are not happy with the 'quality' of propaganda, promoting the usual liberal, American, ideals, they will make it fail, ruining Denis Villeneuve's career.
This is how media works.
They vet those who are permitted to create and sell the message/ideology, and then they give him freedom and under some overview they fund him/her.
The product is then promoted through other venues if they are happy with it, or they do not, if they are not happy with it.
Even if the public disapproves and it does not make money, like many of the DC and MARVEL movies, they will continue promoting and funding the creator.
But if they disapprove with the 'quality' of propaganda - if not enough, or not the right kind of references to race/sex, homosexuality or the holocaust, are not made, then the creator's career is done.
He will never find the money to make and promote any film on the world-market, returning to what he was doing before.


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